- Wed Mar 18, 2020 8:05 am
#123418
In the 1960s, Wilson Pickett had a good voice but needed soul musicians to record good records to have a career, and he was shocked to see cotton fields right next to a small recording studio in Alabama. But he recorded "Land of 1000 Dances" and "Mustang Sally" there with 4 or 5 white studio musicians
Aretha Franklin had a good voice in the "smooth" style, but was let go from her recording contract after 5 yrs for being too boring. She went to Alabama to record with white musicians and began recording funky, soulful songs like "RESPECT" which became her signature.
Etta James and Clarence Carter ("Patches" and the great party song "Strokin'") followed, as did Joe Simon and Bono and the Rolling Stones and Tom Jones and Bob Seeger and Kristofferson and Rod Stewart and Alicia Keys and Hank Williams Jr and Linda Ronstadt and Willie Nelson.
Lesson? If you want soul, you go to white musicians in Alabama.
Aretha Franklin had a good voice in the "smooth" style, but was let go from her recording contract after 5 yrs for being too boring. She went to Alabama to record with white musicians and began recording funky, soulful songs like "RESPECT" which became her signature.
Etta James and Clarence Carter ("Patches" and the great party song "Strokin'") followed, as did Joe Simon and Bono and the Rolling Stones and Tom Jones and Bob Seeger and Kristofferson and Rod Stewart and Alicia Keys and Hank Williams Jr and Linda Ronstadt and Willie Nelson.
Lesson? If you want soul, you go to white musicians in Alabama.